Wednesday, September 4, 2013

Guest Blogger - hybrid author Jean Oram! Yay!

We love guest bloggers, and those that post their tips and tricks on our Facebook page. Why? It gives all of you a different perspective. And in this industry, it's a must have. Since there is no one way to do things, another author can definitely provide ideas, and who doesn't love new ideas?

So far, we've had DIY Author, E.B. Black, and traditionally published author, Michelle Hauck. This week, hybrid author, Jean Oram, visited with great writing tips! Since many prefer to see it as one entire post, I am blogging it as well.

Enjoy!

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How to Write Faster: Write Your Next Novel Kick Butt Fast
by Jean Oram

Many people will tell you to write every morning at a certain time and that is how you will write faster. Maybe. But for me it's about knowing where I am going in my story--no, not plotting exactly--really helps me pick up speed. The following tips aren't ones you'll typically come across when people share advice on how to write faster but I think they will help you out.

Five uncommon tips to help you write faster:

Tip 1: Know your character's fatal flaw before you start writing.

A fatal flaw is that something within your character that they have to overcome because it stands in their way of getting what they truly want. As their character arc and growth builds throughout the story they should overcome this flaw or at least get better at dealing with it.

How this helps you write faster: By knowing your character and what they have to overcome, it not only creates a stronger character but it helps you write faster because you know what you have to accomplish. By having that as a goal (overcoming the flaw) it is easier to dream up situations that will enhance the character's growth process.

Real life example: My upcoming book, Whiskey and Gumdrops, has a heroine who has issues with accepting no-strings-attached help without her feeling as though she owes them back. In other words, her dire need for independence gets in the way of her asking for the help she needs in order to follow her dreams.

Tip 2: What does your character want and what stands in their way?

How this helps you write faster: By knowing what your character wants to accomplish and by having things stand in their way you naturally create conflict which creates a faster feeling read (can't put it down!) as well as helps direct you forward while you ask yourself a series of 'now what happens' type questions which  in the end leads to less stalling out.

Real life example: My character, Mandy, wants to be a big fish in the small town of Blueberry Springs. Guess what? She's going to have to accept help (money, skills, and more) to accomplish her dreams. This ties into her fatal flaw (accepting help and not being 100% independent) and you can see how her flaw and end goal are going to be at odds with each other and force her to change and grow.

Tip 3: Put conflict and flaws in every scene.

How this will help you write faster: Remind yourself before you start a new scene what your character wants (there is the main goal and then there will be the one thing they want for that one scene as well) and what stands in their way as well as what their flaw is and at what point they are at for overcoming that flaw. I actually make notes in a sidebar in my writing program (Scrivener) to remind myself to focus on those things. By being reminded of these things, I can taint the scene (in a good way!) as well as the character interactions in subtle ways that will help emphasize this aspect of the story. In turn, this makes the scene stronger and also makes the editing process go faster.

Real life example: For Mandy, this is the note I wrote to look at for each scene to help me remember to taint each scene and interaction:

-Fighting against nature—become her mother/dependent/nothing.
-Loves Frankie but is afraid.



4. Don't sweat the details.

How this will help you write faster: By not letting research and seasonal timeline or even character names, descriptions, and details distract you, you can keep writing and maintain the flow of your scene and where you are heading with it. Instead of stopping, put in a placeholders (highlighted, ALL CAPS, or make a document note) to remind you to fix it/fill it in later. By highlighting it in some way it makes it easier to find later and carry on in the here and now--because you know you won't forget to come back to it.

Real life example: My first drafts can end up smattered with things like "He grabbed the TECHNICAL DETAIL and spun it to the right," or "She walked down the street, the INSERT SEASONAL DETAIL making her REACTION," or "WORK GUY 1 said…". By not worrying about the tiny details in the first draft it allows me to stay with the story's flow and keep moving those fingers over the keys. Details are for wussies. Sorry, I mean second, third, and fourth drafts.



5. Learn how to write anywhere.

How this will help you write faster: Get honest with yourself. If you feel you have to have a cup of a tea and a quiet house and a spot on the couch facing South in order to write, then you have a problem. I used to be this way, but actually found that it wasn't the 'spot' so much as knowing my character and what kind of journey she was supposed to be on. And darn it all, but it was getting really hard to get that 'special' setting so I could write. And so, I learned to write anywhere. Anytime.

One more thing on this--if you are 'stuck' writing in one physical place it could be a problem of getting back into the flow after you last left off. I used to have that problem when I wrote in Microsoft Word. I spent a lot of time asking myself "What the heck did I write last time? Where am I? Where am I going?" Now I use Scrivener and I can see on the left of my screen my different scenes and where I was last time and I can jump right back in! Saaaweeet! Zero to sixty in a couple of seconds!

Real life example: I've been cured! In the past several months I have written in the following places and somehow managed to complete a book despite the odds: in the car (as a passenger, but also snagging a few minutes while my son stayed under the influence of a car induced nap), in the playground, on a ferry, in an apple orchard, in a hospital ER, in a hospital room (as a visitor), while babysitting, in a living room full of people, on a front sidewalk… etc. You can teach yourself to write anywhere and a lot of that is by following tips 1 & 2 above. If you know where you are going, with whom, and why, then the rest becomes easy. Both in writing and in real life.

Good luck and write fast!

So? What do you think? Can these tips help you write faster? How fast do you write right now? What helps you put the pedal to the metal? Tell us in the comment section.


Jean Oram writes fast, edits slow. But she's getting better! She's a moderator at the writing website www.agentqueryconnect.com. A writing tips blogger at www.thehelpfulwriter.com (she tweets as @jeanoram). A women's fiction/romance writer atwww.jeanoram.com and is in the process of editing book 2 in her Blueberry Springs series, Whiskey and Gumdrops, for an October 2013 release. Book 1 in the series, Champagne and Lemon Drops is free on most ebook sites. Enjoy!


Thursday, August 29, 2013

Writing Action Scenes

I do love a good action scene. One that gets my heart to racing, wondering who is going to win, what the ultimate consequences are going to be ... *sigh* A well written action scene will keep my brain churning for hours.

The sad part is, many write what they see on TV or movies. In many books, especially recently, I can name the scene of the movie the action in a book is based on.

I've decided to post a blog by Alisha Klapheke. Alisha writes YA, owns a Dojo with her wonderful husband, and is an expert on martial arts. When I write and have a question about martial arts, I go straight to her.

The original post was blogged on 12/10/12, on my personal blog, Writing from the Padded Room. Without further ado, Action Scenes: From a Fighter's Perspective.

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I had such great responses to my general blog about action sequences in writing that I went and found an expert on martial arts. That's right, my friends. Some not only kick butt and take names, this particular expert is also a wonderfully imaginative writer. I begged, pleaded, even asked nicely *gasp* for her to guest blog about an area many writers use what they see on TV as center point for their imaginations.

I'd like to introduce Alisha Klapheke, martial arts expert, YA Spec Fic writer and blogger at I Heart Words.  Don't forget to read the end for a few extra questions to get to know this great lady! 

Without further ado, here is her advice about action scenes in a book.
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Almost* every time I watch or read an action scene, I cringe. And it’s not because of the violence.
I teach fighting for a living. Specifically, I help people learn the techniques involved in MMA—Muay Thai kickboxing, Brazilian Jiu Jitsu, Krav Maga—otherwise known as that crazy ass shiz those UFC guys do. So when I read/watch (I’ll use read from here on out, but what I say holds true for Hollywood, too.) action, any and all inaccuracies stab me in the metaphorical gut.

Example:
Good Guy—who has never trained for anything, but sports some nice, big muscles—jumps from a building, does a lovely tornado crescent kick to knock Bad Guy out, and returns to his apartment a little bruised, but totally okay to make out with his girl. 

Ugh. No. Don’t do that in your book.

First off, executing a tornado crescent kick is reeeally (say it like Jim Carrey) difficult. You have to practice that, no matter who you are or what your jawline looks like.

Second, there’s no way anyone with half a brain would choose to attack Bad Guy with such a weak, fancy kick. It’s called THE BALLS people. That’s what you go for. Or the neck. Or the eyes. You shove your knee or your foot or your fist into soft things that hurt. And it’s a hell of a lot harder than you think to do it correctly. Your MC would miss nine times out of ten, and that’s only if they’re worth a shit athletically. If they did hit what they were aiming for, they’d probably break/sprain/bruise the hell out of their hand, leg, or foot.

Lastly, muscles do not a fighter make. No, really. It’s true. Yes, professional fighters are jacked. But that’s just bonus strength for them. They could still kick all our tails without said guns, pecs, or gigantor thighs. It’s all in the technique, in how they use their weight and the bodies they have. I’m 5’3” and pretty dang skinny, but I can tap out big guys and deliver attack stopping strikes. I’m not bragging. It’s just the truth. But it takes training. Lots of it.  

So how can you craft a believable fight scene?

      If your character is going to fight and do it well, they need to train seriously for a year at least. Some will argue this. I’m just throwing an approximate time out there for newbies. I’m also assuming the assailant isn’t Jon “Bones” Jones.

  • Give your character a brain. Make them do simple strikes like knees to the groin, elbows to the face, or kicks to the sides of knees, with the tops of the shin, or from the side, with the bottom of the foot. (This is a strong move that I never see in books. It will take down anyone, anytime. No knee means no move).
  •  Make sure someone falls down. Heck, make everyone fall down. People fall during fights. They are not professionals. Those Jackie Chan, fighting-is-like-dancing scenes slay me. And not in a good way. Look up the word “ugly” in the Thesaurus. Real fights look like that.
  • If your character is going to fight back after an attack, be sure to lay some groundwork beforehand. The shock of someone actually hitting you is stunning. Most people freeze up, cry, and do nothing but try to run away. Your character needs to do these things to be believable. If your character isn’t going to react this way, give us a reason. They need to have been roughed up before and dealt with it.
  • After a fight, your character must be in considerable pain. They need to lie on the couch, take some Advil, and hurt for a good long time before the next make out session, fight, or alien landing. Not even Georges St. Pierre pops up ready for action two hours after a brawl. And I’m guessing your MC hasn’t trained for twenty odd years.


I wish you luck on your action scene! If you need help, ask a fighter, a cop, a marine…you get the idea. Do you research for this area of your work-in-progress just as you do for the setting or the history. If you put the work in, it will show, even to those who don’t know a lot about self-defense.

*I did enjoy the action in the movie Haywire. Though it was far-fetched at times, the star was an actual fighter who I enjoyed meeting at Randy Couture’s gym in Las Vegas. Her moves were accurate and mostly made sense for the situations involved. The triangle on the hotel bed was stellar. 


Now that I have a bit of a girl crush *sigh* I asked some really tough questions of Alisha. Ok, maybe not of the New York Times or Washington Post variety, but I thought they were relevant!

Now that I am assured I can hide behind you should we ever walk Las Vegas/New York/Miami together, tell us a bit about how you got into marital arts.

I shamelessly began marital arts classes (Krav Maga, specifically) while dating the instructor. I fell in love with both. Martial arts made me aware of my own physicality. I started noticing how I walked, what I was and was not capable of, and how much more I could do if I trained harder. It empowered me and molded me into who I am today.

What genre do you write and why?

I write young adult speculative fiction and fantasy. The teen years hold so many exciting firsts, which I enjoy exploring from fresh perspectives. I love fantasy and spec fic because, in them, truly ANYTHING is possible.

Best part of being writer. Besides the whole hiding in another reality thing. Oh, wait, that's my answer. Sorry. What is the best part about writing for you?

The best part about being a writer is creating, making something of nothing. Where there was once a blank doc, there is now a world of fascinating people fighting to learn more about themselves and teaching me about myself in the process. It makes me feel all powerful--bwhahahaha!

What makes you give out a girlie squee of happiness?

Snappy dialogue. New words. When they make a movie out of one of my favorite books (Mortal Instruments, 2013--squeeeee!)

Where would you like your writing career to go?

Over the river and through the woods to...oh, wait. Sorry. I want to write lots of really good books and I want a lot of really good people to read them. I fully embrace the addiction that is WRITING.

And finally, a favorite memory. 

One of my favorite memories is riding in the backseat of my Dad's powder blue Volkswagen Beetle, watching the road go by through the hole in the floor. We were on our way to the pool, and the world was perfect.

Sunday, August 11, 2013

Lots of Fun During Q&A!

Today was a lot of fun for Rolex and me. Twitter lit up with a few questions and a LOT of comments!



Granted, we didn't have a lot of participants, but those who did, and commented, helped make the time great. Julie, Susie and Joey asked some great questions.


I'm going to put the full transcript here, in case you, our wonderful readers, want to know as well. Knowledge is a great thing, and should be shared.


What if EVERY single time you look at your MS you see things to change? Do you ever stop rewriting?

Yes, but it's hard! I overedit. If you've killed the plot bunnies & characters 3D, work mechanics. Step away.

Or you could sterilize the voice and your work.

should say character are nicely 3D LOL See? Overedited.

who should see MS first, a reader or an editor?

  Definitely send to your critique partners & beta readers first. They generally catch a lot you might not have seen.

Agreed. Good CP are a blessing!

I <3 mine like family. I couldn't do it w/out them! Not to mention what they catch LOL

Yes! I have one cp who's like a writing sis & 2 more like big brothers who pick on me (nicely).

I always give my Cheer Squad a thank you in acknowledgements. & try to return the help :)

What are the most cringe-worth editing mistakes you see?

the author sends rough draft instead of doing revisions/edits 1st. Missing words, misspelling, bad

It can take 100+ hrs to clean it up.

For me, wordiness. A sentence going on 9-10 lines. Sometimes it's ok, but a ms filled with them makes it a chore to read.Rolex

These are things the author can do easily, quickly, w/out paying someone else to do it. Pay for the important stuff.

Speaking of pay, what should a writer expect to pay? What is too much?

Excellent question! I've seen editors charge from $100 - $1500. Charges depend: word count, subject, time to edit 1/2

Editorial experience. Research, ask ?'s, know what you want. Average is $300-$500 80k words, for a mid level edit.

if they ask more, ask why. Get details.

And well worth it if you're going to self-pub. I've seen too many that skipped this important piece!

Especially self publishers. I've seen some do it on their own, & do a good job. But they are diligent to the extreme.

w/rise of self pub, many allow a traditional author to get away w/murder, but nitpick a self pubbed. We have to be very careful.

And that includes me. I pay for someone else to edit my own. ~TJ~

Agreed. Still hard to know when to stop.Many ways to say the same thing, you know?

Exactly. Find what fits your MC/voice/story :)

you said "mid-level". What should an author ask for minimally? (sorry if repeat. I messed up-- had to...edit!)

At the very least, a light edit - looking for plot holes, punctuation, spelling, grammar, characterization.

Mid level is along the lines of light plus more indepth with overuse of pronouns, redundancies

a deep, comprehensive edit is content & copy, line by line, word by word.

yes, I read it aloud to see if it feels like me.

By doing that, you'll also find the awkward phrasing :)

So true. I hear it when spoken aloud.

I load my writing into PDF file and use the read aloud function on Adobe. Great way to hear it.
































As you can see, we built some connections, answered a few good questions, and started a conversation.

In the future, we have more planned, with prizes, of course, and hopefully, we can really start a great conversation between authors and editors, help put many great books out there for all of us to read!

This week, I have a blog planned for Mistakes I've Made. I'm a writer, I know. Rolex is a writer, she knows. It's hard, frustrating, and can be terrifying. But the best part? It's fun, wonderful, fulfilling, and creative. 

Now, shoo! Go write! One can never have enough books.